‘Tiny’ house filled with intricate artwork is found in ancient city of Pompeii by archaeologists

‘Tiny’ house filled with intricate artwork is found in ancient city of Pompeii by archaeologists

Archaeologists in Italy have discovered intricate artwork inside a small Pompeii house that was buried in ash and debris from the eruption of Mount Vesuvius nearly 2,000 years ago.

The “tiny” house, the Pompeii Archaeological Park said, was found during excavations at the Insula dei casti Amanti construction site, which is in the ancient city’s central district.

The dwelling was interesting for a number of reasons. For one, it doesn’t have a traditional atrium, which the park called a “peculiarity.”

A scene depicting the Greek myth of Hippolytus and Phaedra is shown at the dig site in Pompeii, Italy. The dwelling is notable for its high level of wall decorations. It was later submerged in ash when Mount Vesuvius exploded in 79 A.D. (Parco Archeologico di Pompei/Handout via REUTERS)
A scene depicting the Greek myth of Hippolytus and Phaedra is shown at the dig site in Pompeii, Italy. The dwelling is notable for its high level of wall decorations. It was later submerged in ash when Mount Vesuvius exploded in 79 A.D. (Parco Archeologico di Pompei/Handout via REUTERS)

Typically, Pompeiian houses had open-air atriums with basins for collecting rainwater. The absence of one in this home is likely related to a shift in architectural styles. At the time, some Pompeii residents no longer felt the need for atriums, which were used as reception rooms and to display portraits and trophies, and replaced them with halls and courtyards.

But it’s the wall art that is most “striking,” according to the park. That includes a well-preserved fresco near the back of the house depicting the tragic Greek myth of Hippolytus and Phaedra.

A mythical scene between two lovers (Parco Archeologico di Pompei/Handout via REUTERS)
A mythical scene between two lovers (Parco Archeologico di Pompei/Handout via REUTERS)

Other walls show scenes from different myths, including a painting believed to be of Venus and Adonis and another depicting the Greek myth known as the Judgment of Paris. In one painting, a satyr — a figure that’s part man and part goat — and a nymph embrace.

In a courtyard near the painting of Hippolytus and Phaedra, plant and animal motifs are painted on an altar, which is decorated with a bird of prey holding a palm branch. There are also two snakes that face each other.

Two snakes face each other in the small house’s courtyard. (Parco Archeologico di Pompei/Handout via REUTERS)
Two snakes face each other in the small house’s courtyard. (Parco Archeologico di Pompei/Handout via REUTERS)

The archaeologists also found ritual offerings that were left behind when the 79 A.D. eruption took the lives of at least 2,000 people in and around Pompeii. Research published in 2021 found that the volcano killed the ancient city’s residents in just 15 minutes.

The park said there was an incense burner and a lamp that had evident traces of burning. Further analysis in a lab identified the remains of a dried fig and scented essences.

The altar’s surface had strips of colored marble, one that depicts a face that is attributable to a companion of Dionysus, the god of wine.

A sphynx, another mythical creature, lies down in this small painted decoration. (Parco Archeologico di Pompei/Handout via REUTERS)
A sphynx, another mythical creature, lies down in this small painted decoration. (Parco Archeologico di Pompei/Handout via REUTERS)

Lastly, they found an iron knife in the front part of the altar’s marble base.

Now, the archaeologists are working inside a series of rooms, and some parts of the construction site have been made available to the public.

A wall is decorated with intricate natural patterns at the archaeological site. (Parco Archeologico di Pompei/Handout via REUTERS)
A wall is decorated with intricate natural patterns at the archaeological site. (Parco Archeologico di Pompei/Handout via REUTERS)

“It is an example of public archaeology or, as I prefer to call it, circular archaeology: conservation, research, management, accessibility and fruition form a virtuous circle,” Gabriel Zuchtriegel, the director of the park, said.